稻草人剧情介绍(稻草人变成女孩的电影)

稻草人剧情介绍是很多影迷朋友想要知道的，小编已经为大家整理好了稻草人剧情介绍相关的内容，感兴趣的您赶紧往下继续阅读吧！

稻草人的分段剧情介绍

1、几个日本兵奏着哀乐把战士遗骨送到故乡，交简短交接仪式后双方都各自离开。在日本统治时间的台湾，田地里除了稻草人外几乎再没有青壮年，他们都被日军强征去南洋打仗送死去了，但阿发和阔嘴却没被送去。

2、因他们母亲用牛粪给他们涂眼致使眼睛生病不适合当兵。但他们只有二分田，却生了很多孩子，还要养活因丈夫阵亡而发疯的妹妹水仙。阔嘴在和他老婆在屋里亲热时，日本警察刚好来到他屋外找他的鸡，那鸡也恰巧进了他们的屋。

3、日本警察没找到就走了，但阿发发现后训斥了阔嘴并和阔嘴一起把那只鸡送给了日本警察。两人去田里祭拜父亲时，嫌弃父亲生孩子太多留下的遗产太少。祭拜了土地公时，诉说自己的遭遇，希望土地公保佑母亲平安，希望阔嘴不要再生孩子，希望稻草人保护好他的田地。

4、孩子们用弹弓打麻雀然后烧着吃并把奶奶最爱吃的屁股留下。阿发母亲说他父亲托梦说他热想换坟地，阿发不同意说等草长长就好了，孩子们就尿在坟边想让草快点长长。孩子问起改日本名字被阿发拒绝，但孩子说改有白糖后他也想改。这时村里开始组织妇女进行防空演练。

5、她们接力从池边提水，洒在装作失火的地上；给“病人”包扎抬进“医疗所”。之后军官告诉演习的妇女们，她们的敌人美国人长的很奇怪性器官很大，万一村庄被占领她们就会拉妇女做慰安妇，让她们重新演练。商人阿关带着很多稀奇的东西来村里叫卖，人们都点着火把去看。

6、阿发媳妇说她拿的物品不够用想加东西，阿发起先不同意最后还是加了把镰刀，并给阔嘴媳妇换了面霜。吃饭时，阿发媳妇说自己在厨房已留饭，阿发发现她没留时孩子们已把饭吃完了。他和阔嘴去地里发现麻雀太多责怪稻草人没有好好保护他的田，并埋怨自己的命贱。

7、这时村子附近突然遭到了空袭，炸弹爆炸声此起彼伏所幸无人员伤亡。学校组织同学上交家里的铁器供日本政府炼制武器。老师向人们宣讲大家都是天皇的人，日本就像太阳光芒一样不会毁灭的逻辑。一孩子因为上交空袭时捡到的美国武器碎片而得到了奖励。

8、阿发媳妇的妹妹（月娘）一家来阿发家避难，阿发用牛车把他们从火车站旁接回来。他们一家杀鸡买鱼招待他们。客人在房间吃时，阿发的孩子就在门口看，阔嘴把他们赶走说等客人吃完了就让他们吃；说客人吃的很少，鱼不会翻过来，到时候他们可以把鱼翻过来吃。

9、日本警察夫妇也被邀请做陪客。因客人把鱼翻过来了孩子就大哭。客人吃完后阿发和孩子们狼吞剩菜充饥。晚上月娘向丈夫（阿关）哭诉姐姐家生活不易，他们这样对不起姐姐一家，阿关说他会给一些补偿。第二天阿关告诉阿发阔嘴他要把地卖给糖厂，糖厂的人很快就来。

10、他们还没从失去土地的悲伤中走出来，他们的牛又被征税局的人征走了（为军队做牛肉罐头）。因为有正式的公文，阿关也没有办法，阿发只好在公文上按下了手印。水仙因为阻止他们被推到在地。

11、晚上阿发他们俩吃饭时发现他们的饭已被阿关吃了，他们俩什么也没说。晚上家里发现一个小偷，那贼是个逃兵，但是刚结婚媳妇就怀孕了，没法去当兵。他唱了一首军歌力证自己很想去当兵的，现在实在是没有办法并请求给点东西吃。

12、他们给小偷点吃的后就让他走了，阿发他们于是就念叨当兵不好，不是死亡就是缺胳膊少腿。因为上次有孩子捡武器碎片得到奖励，早上孩子们都拿着自己家里的器具放在空地上，希望爆炸后有武器碎片落进去。当飞机空袭时他们全都飞奔过去，又都被吓跑了。

13、空袭过后阿关田里落了一个哑弹，引来全村的村民、日本警察还有断腿的退役军人的围观，他们都趴着不敢动。孩子跟阿发说捡到这个会有奖品，阿发胆子就大了，他用石块砸，用稻草人打哑弹，但是哑弹也没爆炸，人们虚惊一场。

14、围观人群也放松下来，除阿关外大家都认为这是个好征兆，送到军部肯定会有大奖励。于是阿发阔嘴称了重量，抬回家安置好，打算去军部换取奖品。阿关表示地虽是他的但他不要奖品，认为这件事很不靠谱。母亲连夜赶制包奖品用的包，阔嘴老婆缠着阔嘴给她买面霜。

15、日本警察喜气洋洋的和阿发阔嘴拉着哑弹去市区。阿发还向阿关保证，如他们回来他已经去日本的话他就把奖品邮寄到日本。全村都很羡慕炸弹落在了他们田里，认为接下来他们俩个很快就能拿很多奖品回来。

（图片来源网络，侵删）

欧美电影1973稻草人剧情介绍+分

稻草人 Scarecrow (1973)

剧情：

麦克斯和里昂是两个流浪汉，他们一见如故，成了好朋友。麦克斯攒了一些钱，他准备用这些积蓄到匹兹堡开家汽车洗刷店。他叫里昂同他一起前往，里昂答应了。里昂有好几年没见到他的妻子和孩子了，十分想念他们，而麦克斯也想见见在丹佛的姐姐，于是他们决定先到丹佛。途中，暴躁的麦克斯引起不少麻烦，而能言善辩的里昂则冷静地化解了这些矛盾。在丹佛，麦克斯见到了姐姐考莉，遂决定在丹佛开汽车洗刷店。麦克斯又一次在醉后同人发生了争吵，他和里昂双双被送进了劳教场。在劳教场，因为拒绝了一个劳改犯的无礼要求，里昂被人毒打，麦克斯的意志变得十分消沉。获释后，在得知孩子死亡的消息后，里昂因悲伤过度而精神失常，进了医院。为了朋友，麦克斯毅然放弃了开汽车洗刷店的打算，他要将全部的钱都用来医治里昂。

Review：

Max and Lionel, two ordinary guys, meet by chance on a lonely country road while hitchhiking and strike up a friendship. Max (Gene Hackman) is a hot-tempered ex-con who dreams of owning his own business, a car wash. Lionel (Al Pacino) is a seaman who abandoned his pregnant girlfriend some years prior but who, despite this character flaw, is so mild-mannered and sweet you really just want to give him a big hug.

Hackman is great as the hard-edged Max, yet despite his gruff exterior you know there is a man of deep feeling and caring underneath. Pacino never fails to disappoint in whatever he does and he doesn't in this tour-de-force performance. Famous for playing loud, larger than life character's with extreme zeal -- Colonel Frank Slade from SCENT OF A WOMAN and Tony Montana from SCARFACE for instance -- here his performance is like a whisper -- quietly calm yet powerfully effective.

A nice surprise in the cast is Richard Lynch (in his screen debut) as Riley, the man who befriends Lionel while he and Max are briefly incarcerated for a bar fight. Lynch is only in the movie for approximately 20 minutes, but what a 20 minutes! His ability to convey the sleazy yet somehow likable Riley let's the audience know that this is a talent to watch for in the coming years. With such great method acting from all three actors, it's no wonder this movie won the prestigious Golden Palm Award at the 1973 Cannes Film Festival!

Scarecrow is a low-key film that succeeds on all its ambitions, but not because it tries to aim low. That the tone at times doesn't feel as emotionally incredible or intense as some other films Gene Hackman and Al Pacino got their star-making turns in the 70s (French Connection, Dog Day Afternoon, Serpico) doesn't mean it's unsuccessful either. Jerry Schatzberg and his writer are out to capture a kind of outsider view of men trying to find their places in society, almost like how Michael Cimino would do (to a more genre-oriented extent) with Thunderbolt and Lightfoot. It's not a movie a lot of people would go out of their way to see, even with the star power involved. It's about two guys who've been released from confinement from the world around them, Max from six years in jail (Hackman), Francis from five years out at sea in the Navy (Pacino), and how the two meet up unintentionally while hitchhiking, unlikely pair up, and Hackman gets Pacino to go in with him on opening up a car wash in Pittsburgh.

Why Pittsburgh? Just one of the peculiarities of Max, mayhap? More-so a thing of pride. There's characteristics to Max and Francis that make them compelling for the honesty in what they are: Max is a tough guy, tending to get drunk, get in fights, sex it up with women (who knew Hackman had such, um, animal magnetism), and Francis (also named Lion by Max) is a clown, a little boy who somehow made the mistake of having a kid with a woman before he left the Navy, and has a present ready to give to the kid in Detroit- an androgynous lamp- despite not knowing entirely what to expect. It's an odd couple movie, but also one that has a more affecting view into a world of men on the fringe of society. These guys don't have big plans, and wouldn't want any anyway. It's refreshing to see that, and how it pans into the nature of them and their environment: the small towns, the local dives, the bad drunks, and, when things go bad after a big brawl ring a drunken hoopla, the subtle horrors of prison for the both of them. Did I mention train-hopping?

A film like this, despite having on its side gorgeous cinematography by Vilmos Zsigmond (who, along with Badlands and, in its own way Mean Streets, captures a vision of Americana that is pure and unique to its time and place), needs strong acting. Who better than Hackman and Pacino? They're playing big personalities, with Hackman doing great as always in a somewhat typical part of a guy who's aggressive and pig-headed but does have a hear. And Pacino doing a rare comedic turn as he gives some of his funniest (genuine, not unintentional scene-stealing) moments, like his 'diversion' gone wrong in the clothing store, or his classic "teach me how to handle a drunk" bit at the bar. Sometimes its too much, but it leads to a bittersweet side to the story that turns even more bitter by the time Schatzberg reaches the emotional climax in Detroit. What's been alternately crude and crazy, sometimes in ways that remind one a little of Altman, turns towards what is a small but great tragedy for these characters. And doing the script one better, the actors are able to get subtle, crushing, telling moments in scenes that others wouldn't be able to grasp with a ten-foot pole.

It's also a fun movie, with a feel that you could only get in one of the truly great years in all movies (look at the year this came out, and realize how many films of its ilk were released, be they independent-like from Scorsese or Altman or Ashby or even Romero, or even Friedkin's Exorcist). Scarecrow is of its time, but it doesn't mean it can't be greatly liked in the present; it's even a near classic of genre subversion, doing a service to drama and comedy by not paying lip-service to either form, but enriching what comes naturally out of life, which is both sometimes, harrowingly, at once

（图片来源网络，侵删）

求一部欧美稻草人杀人的电影名字

《猛鬼夜惊魂》又名《稻草人》

剧情介绍

术士的魔咒从一百多年前流传下来，随著一个家族的隐私深埋地下。一个平静的美国小镇，即将被来自地狱的复仇邪灵，血洗全镇。古曼家族在一百多年前与一位术士订约，术士施魔法史洪福镇风调雨顺，年年丰收。古曼家却因该术士行淫练沾污镇上的妇女，而背约将术士杀死。如今术士的邪灵从地狱里脱困前来报仇。只有克丽儿和古曼家的工头狄伦能解厄运，而他们必须先找到术士遗留下来的魔咒书，按书上的指示降服邪灵。要不然全镇在劫难逃，生不如死。

以美国乡间农场为舞台，讲述一个无辜者含恨被折磨死而后复活血腥复仇的故事。

这个活死人善用乡间稻草刺入人的经脉。一旦稻草进入经脉便会游走全身，继而全身血管爆裂，乾枯的经脉从七窍、手指尖，身体各部穿刺出来，最后成了“稻草人”。